{"id":691,"date":"2026-08-31T16:34:28","date_gmt":"2026-08-31T14:34:28","guid":{"rendered":"https:\/\/www.museidiocesilatina.it\/sermoneta\/?p=691"},"modified":"2026-08-31T16:36:12","modified_gmt":"2026-08-31T14:36:12","slug":"tony-di-nicola-sfinge","status":"publish","type":"post","link":"https:\/\/www.museidiocesilatina.it\/sermoneta\/tony-di-nicola-sfinge\/","title":{"rendered":"Tony Di Nicola &#8211; Sfinge"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"#italiano\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"42\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/ititalyflag_111732.png\" alt=\"ITALIANO\" class=\"wp-image-411\"\/><\/a><figcaption class=\"wp-element-caption\">Italiano<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"#english\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"32\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/gbunitedkingdomflag_111699.png\" alt=\"ENGLISH\" class=\"wp-image-410\"\/><\/a><figcaption class=\"wp-element-caption\">English<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"#espanol\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"42\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/esspainflag_111796.png\" alt=\"ESPANOL\" class=\"wp-image-409\"\/><\/a><figcaption class=\"wp-element-caption\">Espanol<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<figure class=\"wp-block-image size-full\" id=\"italiano\"><a href=\"#italiano\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"42\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/ititalyflag_111732.png\" alt=\"ITALIANO\" class=\"wp-image-411\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<h2 class=\"wp-block-heading\">ITALIANO<\/h2>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Tony Di Nicola<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Sfinge, 1997<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Marmo, altezza cm 50<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2026\/08\/05_Tony_Di_Nicola_Sfinge_ITA.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In quest&#8217;opera la pietra prende vita. Il volto, che richiama una divinit\u00e0 pagana di ispirazione classica, mostra una lavorazione non del tutto terminata sul retro del capo. L&#8217;artista utilizza la figura femminile \u2014 suo soggetto ricorrente \u2014 per bilanciare con armonia i pieni e i vuoti, il concavo e il convesso. La scultura non rappresenta quindi una sfida solo tecnica, bens\u00ec l&#8217;evoluzione di un percorso interiore che prende forma e materia.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<figure class=\"wp-block-image size-full\" id=\"english\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"32\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/gbunitedkingdomflag_111699.png\" alt=\"ENGLISH\" class=\"wp-image-410\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<h2 class=\"wp-block-heading\">ENGLISH<\/h2>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Tony Di Nicola<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Sphinx, 1997<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Marble, height 50 centimeters.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2026\/08\/05_Tony_Di_Nicola_Sfinge_ENG.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In this work, stone comes to life. The face, reminiscent of a classically inspired pagan deity, shows unfinished work on the back of the head. The artist uses the female figure (a recurring subject) to harmoniously balance solids and voids, concave and convex. The sculpture therefore represents not only a technical challenge, but the evolution of an interior journey that takes shape and materiality.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<figure class=\"wp-block-image size-full\" id=\"espanol\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"42\" src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2024\/09\/esspainflag_111796.png\" alt=\"ESPANOL\" class=\"wp-image-409\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<h2 class=\"wp-block-heading\">ESPANOL<\/h2>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Tony Di Nicola<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Esfinge, 1997<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00e1rmol, 50 cent\u00edmetros de altura.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-content\/uploads\/2026\/08\/05_Tony_Di_Nicola_Sfinge_ESP.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En esta obra, la piedra cobra vida. El rostro, que evoca a una deidad pagana de inspiraci\u00f3n cl\u00e1sica, muestra un acabado inacabado en la parte posterior de la cabeza. El artista utiliza la figura femenina (un tema recurrente) para equilibrar armoniosamente s\u00f3lidos y vac\u00edos, c\u00f3ncavos y convexos. La escultura representa, por lo tanto, no solo un desaf\u00edo t\u00e9cnico, sino la evoluci\u00f3n de un viaje interior que toma forma y materialidad.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ITALIANO Tony Di Nicola Sfinge, 1997 Marmo, altezza cm 50 In quest&#8217;opera la pietra prende vita. Il volto, che richiama una divinit\u00e0 pagana di ispirazione classica, mostra una lavorazione non del tutto terminata sul retro del capo. L&#8217;artista utilizza la figura femminile \u2014 suo soggetto ricorrente \u2014 per bilanciare con armonia i pieni e i&hellip;&nbsp;<a href=\"https:\/\/www.museidiocesilatina.it\/sermoneta\/tony-di-nicola-sfinge\/\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">Tony Di Nicola &#8211; Sfinge<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":700,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[47,1],"tags":[51,50,59,58],"class_list":["post-691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-sezione-di-arte-contemporanea","category-opere","tag-arte-contemporanea","tag-sezione-arte-contemporanea","tag-sfinge","tag-tony-di-nicola"],"_links":{"self":[{"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/posts\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/comments?post=691"}],"version-history":[{"count":3,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/posts\/691\/revisions"}],"predecessor-version":[{"id":699,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/posts\/691\/revisions\/699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/media\/700"}],"wp:attachment":[{"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/media?parent=691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/categories?post=691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.museidiocesilatina.it\/sermoneta\/wp-json\/wp\/v2\/tags?post=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}